Saturday, March 26, 2011
Friday, March 25, 2011
Floating Trees
Today, I decided to read the poem of the day on poetryfoundation.org. I found it to be quite enjoyable. Here it is:
Floating Trees
a bed is left open to a mirror
a mirror gazes long and hard at a bed
light fingers the house with its own acoustics
one of them writes this down
one has paper
bed of swollen creeks and theories and coils
bed of eyes and leaky pens
much of the night the air touches arms
arms extend themselves to air
their torsos turning toward a roll
of sound: thunder
night of coon scat and vandalized headstones
night of deep kisses and catamenia
his face by this light: saurian
hers: ash like the tissue of a hornets’ nest
one scans the aisle of firs
the faint blue line of them
one looks out: sans serif
“Didn’t I hear you tell them you were born
on a train”
what begins with a sough and ends with a groan
groan in which the tongue’s true color is revealed
the comb’s sough and the denim’s undeniable rub
the chair’s stripped back and muddied rung
color of stone soup and garden gloves
color of meal and treacle and sphagnum
hangers clinging to their coat
a soft while bulb to its string
the footprints inside us
iterate the footprints outside
the scratched words return to their sleeves
the dresses of monday through friday
swallow the long hips of weekends
a face is studied like a key
for the mystery of what it once opened
“I didn’t mean to wake you
angel brains”
ink of eyes and veins and phonemes
the ink completes the feeling
a mirror silently facing a door
door with no lock no lock
the room he brings into you
the room befalls you
like the fir trees he trues her
she nears him like the firs
if one vanishes one stays
if one stays the other will or will not vanish
otherwise my beautiful green fly
otherwise not a leaf stirs
Wednesday, March 23, 2011
Blogging Hamlet:: Act II, Scene ii
1. Summary: Act II scene ii is a scene of mammoth proportions. I'll try my best to summarize it in a clear and concise fashion, but I make no promises.
This scene opens with the arrival of Rosencrantz and Guildenstern, both of whom are Hamlet's friends from Whittenberg. The King and Queen, concerned about Hamlet's lunatic behavior, send the pair to spy on him. Polonius then enters, announcing the return of Voltimand, an ambassador to Norway, who brings news of its aged king. Voltimand begins his tale. The Norwegian king rebuked Fortinbras for attempting to attack Denmark. However, when Fortinbras vowed to never again attack Denmark, the king gave Fortinbras a grand sum of money and urged him to attack Poland instead. Now, Fortinbras asks permission to march through Denmark to reach Poland. Relieved that Fortinbras failed in his attempt to attack Denmark, Claudius hastily announces that he will see to the business later and dismisses Voltimand. Polonius then expresses his own qualms regarding Hamlet. He ironically begins an unnecessarily grandiloquent explanation on the importance of succinctness before finally offering his own explanation for Hamlet's apparent madness: the prince is madly in love with his daughter, Ophelia. After he reads one of Hamlet's many love letters, Polonius sees Hamlet on the balcony and quickly concocts a plan. He decides to send Ophelia to talk to Hamlet. Hiding in the curtains, he, the king, and the queen, will be able to hear the couple's conversation. The King and Queen assent to this plan and exit, leaving Polonius alone with Hamlet. Polonius attempts to strike up a conversation with the latter, but the only result seems to be a display of cold irritability from Hamlet. The prince even calls Polonius a "fishmonger." Polonius leaves, observing that while some of Hamlet's responses were seemingly erratic, they were actually "pregnant" with veiled insults. (Almost done!) Rosencrantz and Guildenstern meet the unhappy Hamlet who laments his disappointments of Denmark. Hamlet then pressures his friends until they admit to have been sent as spies. Rosencrantz then mentions a theater troupe that is performing near the castle. Hamlet becomes excited and invites his friends to stay at Elsinore. In the castle, Hamlet warmly welcomes the troupe and asks a member to perform an excerpt depicting the fall of Troy and the deaths of the Trojan king and queen. Hamlet is deeply moved by the scene, and accompanies the actor to his room. Along the way, Hamlet asks if the troupe could perform The Murder of Gonzago with a few added lines by himself. The actor accepts. Hamlet then goes to a private room and begins his monologue, which will be explored in the upcoming sections.
2. Quote:
~Hamlet, lines 518 to 523
I really found Hamlet's monologue to be quite interesting. To me, the passage almost gives off a general air of confused bipolarity. His (perhaps) feigned madness seems to trickle into his speech as he jumps from self-pity to incredulousness to more self-pity to fearful doubt to ravenous bloodthirstiness. Anyway, I can relate to Hamlet in this excerpt as he incredulously observes the tears the actor had shed during his monologue. I'm not saying that I too wallow in self pity, but I understand where he is coming from. These lines effectively depict the internal strife Hamlet is experiencing. I also sense that Hamlet is almost tempted to express his knowledge to others from the way he broods over what would happen if the actor knew the horrific acts of Claudius.
3. Reaction to Polonius:
To me, Polonius comes off as just a petty, unworthy henchman who has delusions of grandeur. Surprisingly, instead of being ticked off as Hamlet is at Claudius's goon, I am finding myself rather enjoying his shallow complacency. I must admit I laughed at his topsy-turvy speech on the merits of conciseness. I also found his intellectual defeat at the hands of Hamlet to be quite entertaining. How can an old man be out witted by a half-crazed college student? Lastly, I loved how the actor from the movie portrayed Polonius during the actor's monologue. Trying to redeem himself after Hamlet chastises him for being philistine, Polonius vaguely says "that's good, that's good" in a desperate attempt to make himself look cultured. Nice try Polonius.
My view of Polonius:
This scene opens with the arrival of Rosencrantz and Guildenstern, both of whom are Hamlet's friends from Whittenberg. The King and Queen, concerned about Hamlet's lunatic behavior, send the pair to spy on him. Polonius then enters, announcing the return of Voltimand, an ambassador to Norway, who brings news of its aged king. Voltimand begins his tale. The Norwegian king rebuked Fortinbras for attempting to attack Denmark. However, when Fortinbras vowed to never again attack Denmark, the king gave Fortinbras a grand sum of money and urged him to attack Poland instead. Now, Fortinbras asks permission to march through Denmark to reach Poland. Relieved that Fortinbras failed in his attempt to attack Denmark, Claudius hastily announces that he will see to the business later and dismisses Voltimand. Polonius then expresses his own qualms regarding Hamlet. He ironically begins an unnecessarily grandiloquent explanation on the importance of succinctness before finally offering his own explanation for Hamlet's apparent madness: the prince is madly in love with his daughter, Ophelia. After he reads one of Hamlet's many love letters, Polonius sees Hamlet on the balcony and quickly concocts a plan. He decides to send Ophelia to talk to Hamlet. Hiding in the curtains, he, the king, and the queen, will be able to hear the couple's conversation. The King and Queen assent to this plan and exit, leaving Polonius alone with Hamlet. Polonius attempts to strike up a conversation with the latter, but the only result seems to be a display of cold irritability from Hamlet. The prince even calls Polonius a "fishmonger." Polonius leaves, observing that while some of Hamlet's responses were seemingly erratic, they were actually "pregnant" with veiled insults. (Almost done!) Rosencrantz and Guildenstern meet the unhappy Hamlet who laments his disappointments of Denmark. Hamlet then pressures his friends until they admit to have been sent as spies. Rosencrantz then mentions a theater troupe that is performing near the castle. Hamlet becomes excited and invites his friends to stay at Elsinore. In the castle, Hamlet warmly welcomes the troupe and asks a member to perform an excerpt depicting the fall of Troy and the deaths of the Trojan king and queen. Hamlet is deeply moved by the scene, and accompanies the actor to his room. Along the way, Hamlet asks if the troupe could perform The Murder of Gonzago with a few added lines by himself. The actor accepts. Hamlet then goes to a private room and begins his monologue, which will be explored in the upcoming sections.
2. Quote:
"What’s Hecuba to him or he to Hecuba
That he should weep for her? What would he do
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appall the free..."~Hamlet, lines 518 to 523
I really found Hamlet's monologue to be quite interesting. To me, the passage almost gives off a general air of confused bipolarity. His (perhaps) feigned madness seems to trickle into his speech as he jumps from self-pity to incredulousness to more self-pity to fearful doubt to ravenous bloodthirstiness. Anyway, I can relate to Hamlet in this excerpt as he incredulously observes the tears the actor had shed during his monologue. I'm not saying that I too wallow in self pity, but I understand where he is coming from. These lines effectively depict the internal strife Hamlet is experiencing. I also sense that Hamlet is almost tempted to express his knowledge to others from the way he broods over what would happen if the actor knew the horrific acts of Claudius.
3. Reaction to Polonius:
To me, Polonius comes off as just a petty, unworthy henchman who has delusions of grandeur. Surprisingly, instead of being ticked off as Hamlet is at Claudius's goon, I am finding myself rather enjoying his shallow complacency. I must admit I laughed at his topsy-turvy speech on the merits of conciseness. I also found his intellectual defeat at the hands of Hamlet to be quite entertaining. How can an old man be out witted by a half-crazed college student? Lastly, I loved how the actor from the movie portrayed Polonius during the actor's monologue. Trying to redeem himself after Hamlet chastises him for being philistine, Polonius vaguely says "that's good, that's good" in a desperate attempt to make himself look cultured. Nice try Polonius.
My view of Polonius:
Saturday, March 19, 2011
Watching Harry Potter and the Chamber of Secrets!
There's a Harry Potter marathon on ABC! I just cant' help thinking of Hamlet every time I see Gilderoy Lockhart.
Friday, March 18, 2011
Hamlet Response
I really liked She Said She Said's concise blog post about Hamlet, Act I Scene ii. We shared many of the same thoughts about Hamlet's father's ghost, like why doesn't the ghost speak to anyone but Hamlet? Is he going crazy? These are a few ideas that I also had. Well, great minds think alike, right? :D
Blogging Hamlet, Act I, Scene iv
1. Summary: Hamlet, Marcello, and Horatio stand guard outside Elsinore to watch for the ghost. Hamlet explains the Danish custom of carousing, and bitterly imagines the other countries' negative view of the aristocracy of Denmark. The ghost then appears and beckons Hamlet. Hamlet's companions warn Hamlet about following the phantom, believing that he could get harmed. Nevertheless, Hamlet follows the ghost.
2. Quote: "But to my mind, though I am native here and to the manner born, it is a custom more honored in the breach than the observance. This heavy-handed revel east and west makes us traduced and taxed of other nations. They clep us drunkards, with swinish phrase soil our addition; and indeed it takes from our achievements, though performed at height, the pith and marrow of attribute."
During these lines, I really feel for Hamlet and his kingdom. I understand where Hamlet is coming from; the Danish reputation really rests on the king's shoulders, and by acting irresponsibly, Claudius is soiling Denmark's reputation. This, unfortunately, is taking foreigners' attention away from the merits of the nation and towards its faults. How sad.
3. Reaction to the Ghost:
Finally! Some phantasmic action! Unlike the ghosts and witches in Macbeth, I really enjoyed the ghost in Hamlet. I think my intrigue springs from the movie, which did a nice job of portraying the eerie late Hamlet. In this scene, he is silent, which poses some questions. 1) Why can't he speak in front of Hamlet's friends? This is the second time he has refused to speak to them. 2) If the ghosts didn't speak to Hamlet's friends, is it possible that that he isn't speaking to mortals at all? In that case, is Hamlet hallucinating the bulk of the next scene? Hmmm... seems suspicious.
2. Quote: "But to my mind, though I am native here and to the manner born, it is a custom more honored in the breach than the observance. This heavy-handed revel east and west makes us traduced and taxed of other nations. They clep us drunkards, with swinish phrase soil our addition; and indeed it takes from our achievements, though performed at height, the pith and marrow of attribute."
During these lines, I really feel for Hamlet and his kingdom. I understand where Hamlet is coming from; the Danish reputation really rests on the king's shoulders, and by acting irresponsibly, Claudius is soiling Denmark's reputation. This, unfortunately, is taking foreigners' attention away from the merits of the nation and towards its faults. How sad.
3. Reaction to the Ghost:
Finally! Some phantasmic action! Unlike the ghosts and witches in Macbeth, I really enjoyed the ghost in Hamlet. I think my intrigue springs from the movie, which did a nice job of portraying the eerie late Hamlet. In this scene, he is silent, which poses some questions. 1) Why can't he speak in front of Hamlet's friends? This is the second time he has refused to speak to them. 2) If the ghosts didn't speak to Hamlet's friends, is it possible that that he isn't speaking to mortals at all? In that case, is Hamlet hallucinating the bulk of the next scene? Hmmm... seems suspicious.
Wednesday, March 16, 2011
Poem of the day!
This was the poem of the day on poetryfoundation.org. Enjoy! :)
Elegance
by Linda Gregg Linda Gregg
All that is uncared for.
Left alone in the stillness
in that pure silence married
to the stillness of nature.
A door off its hinges,
shade and shadows in an empty room.
Leaks for light. Raw where
the tin roof rusted through.
The rustle of weeds in their
different kinds of air in the mornings,
year after year.
A pecan tree, and the house
made out of mud bricks. Accurate
and unexpected beauty, rattling
and singing. If not to the sun,
then to nothing and to no one.
Elegance
by Linda Gregg Linda Gregg
All that is uncared for.
Left alone in the stillness
in that pure silence married
to the stillness of nature.
A door off its hinges,
shade and shadows in an empty room.
Leaks for light. Raw where
the tin roof rusted through.
The rustle of weeds in their
different kinds of air in the mornings,
year after year.
A pecan tree, and the house
made out of mud bricks. Accurate
and unexpected beauty, rattling
and singing. If not to the sun,
then to nothing and to no one.
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